U.S.-Cuba negotiations through the lens of photography
So the second official round of talks to reestablish diplomatic relations between Cuba and the United States wrapped up last week and the tricky bits are beginning to overshadow the initial excitement. Not surprisingly a huge hang-up is money, because banking in Cuba is hamstrung by its designation as a sponsor of terrorism. You can read all the details in this Reuters piece or this New York Times article, or just talk to any Cuban artist or American collector.
Even though it’s been legal to import Cuban art and photography ever since Sandra Levinson and her Center for Cuban Studies won a pioneering lawsuit against the U.S. Treasury Department in 1991, actually paying for pieces is still a hassle.
One amazing contemporary artist we met was willing to take a 10% down payment in Cuban currency, let us walk away with a $10,000 painting and work out the details later through the honor system. We don’t routinely walk around with $1,000 in our pockets and you can’t walk up to an ATM for extra cash in Havana so we couldn’t even consider the generous, trusting offer of an artist.
Turns out we were smart to sweat the small stuff. Art historian Rebekah Jacob, who sells vintage Cuban revolutionary photography prints from her gallery in Charleston, once had an entire shipment of purchased work impounded by U.S. customs and the legal bill to sort it all out would have been costlier than the photographs themselves.
Robin Blackman is another gallerist who fell in love with Cuban photography when she first visited the famous Fototeca De Cuba center in the 80s. She and her photographer husband were so impressed with the work of new generation of Cuban photographers that they opened an LA branch of Fototeca. She says it became the first independent gallery in the US to develop a relationship with the Cuban government and bring an exhibit of emerging photographers to LA. Eventually the Fototeka LA gallery closed but she still has a few vintage prints. Here’s the crazy part. She recently sold a few but can’t pay the photographer because, decades later, the embargo means he can’t accept US dollars and he doesn’t have internet access to keep in touch on a regular basis.
That’s how convoluted the unintended consequences become when Cuba is designated as a sponsor of terrorism. Ordinary people, and extraordinary art, suffer.