Since my now 1-year-old book “The Other Mother: a rememoir” is published by Joggling Board Press in Charleston, SC — I thought I’d explain the peculiarly Southern bench JBP is named after. I like this definition the best, but in my own words — a joggling board is a delightful anachronism of a time long before sexting or hooking up substituted for courtship.
It’s a long wooden plank suspended between two rockers that give it a saucy bounce. The idea was, the man sits on one end and the woman the other. As their relations progress, they scoot and jiggle a little closer. By the time cheeks met, intentions were declared and chaperones relieved. Bless their hearts. The fact that it might have been devised or even imported by Scottish plantation managers kind of spoils the native charm, though the Scottish part of me chuckles at imaging the whole affair done in kilts.
One day I’m going to have a joggling board made for my bluff overlooking the Beaufort River, and I’ll have an engraved plate installed to commemorate the two best love affairs I’ve ever witnessed: the one between my recently departed Granny Vera and long-gone Grandpa Jock Bruce and the other the partnership of Byrne and Duncan Miller.
Then when my favorite aunt visits from Oregon each year, we won’t have to act like silly kids on the joggling board outside the SC Artisan Center in Walterboro, where this one graces a porch.
I promise, my annual “don’t miss these films” blog about the Beaufort International Film Festival is coming soon. But in the meantime, I thought I’d whet your appetites for the second annual screenplay table-read event at BIFF. (Thursday, Februrary 16th at 7:30pm)
If you didn’t make it to last year’s event, or have no idea what a table-read is all about, check out this audio podcast my friend Burton Sauls has put together. It’s me, doing a 10-minute play-by-play of the excitement and controversy leading up to the inaugural table-read last year. (Burton is developing a series of these kinds of podcasts from various events and musings of Beaufort’s artists and citizens so potential visitors can “preview” this crazy place and hopefully come and spend lots of money on vacations.)
This year I’m lucky enough to have another screenplay in the finals, “The Wedding Photographer.” And although I won’t have to worry about getting struck by lightning in a church, this year’s table-read should be even more exciting. First, it’s going to be at USCB’s big theatre with the actors on stage. Second, there are rumors some movie-star types might read, although if we’re lucky enough to get the same Shakespearean actors as last year I’ll be just as thrilled. They’re that good. Third, the talented director Gary Weeks (an audience favorite two festivals ago with a dark, Georgia-based, post-apocalyptic film you may remember) has two screenplays in the read. And I’m pretty sure that I’m not the only local screenwriter this time – there are Hilton Head finalists I’m looking forward to meeting. Lastly, just like last year, the $15 ticket includes wine and all the questions you care to ask the attending writers (and they’re all attending).
So, about “The Wedding Photographer.” What fun it was to write a comedy instead of my usual, much darker fare. The idea came during our morning walk downtown when I saw an intensely uncomfortable young couple posing for what must have been an engagement announcement shoot. Gary and I both laughed out loud, because the night before we’d talked to our good friend Tom Kwas in Milwaukee. Tom once had a thriving studio photography practice in the Midwest and has made the most treasured photographs of our family through the years. He’s incredibly cynical and teases us mercilessly every time South Carolina or its governors are making headlines, but under all the witty sarcasm he’s the sweetest man on earth. So the thought of Tom, transplanted to the Deep South, making wedding photos of Southern bridezillas, cracked us up. And gave me the idea for a screenplay.
Having no first-hand experience in wedding photography, I needed to do some research. Which is where Susan DeLoach came to the rescue. She is one of the most sought-after wedding photographers in the area and she graciously allowed me to tag along to a few shoots as her “assistant.” I was amazed at the skill and talent involved, not all of it technical. Susan is part artist, part big sister and part therapist for stressed out brides and their families. Those shoots were invaluable in helping me learn the terms and process, but utterly useless for character development. You see, Susan could not be a better example of Southern etiquette and grace and my protagonist has to hate the South and turn into a wedding photographer who makes brides cry. Until, of course, he meets the right woman.
I barely finished the first draft of “The Wedding Photographer” in time for the BIFF entry deadline, so I’m sure that other finalist scripts are much more polished and deserving of the Jean Ribaut award. But I love my characters and the lessons the South teaches them all. The best part was setting it entirely in Beaufort and working in references to the people and places that make this place so unique. Harold’s Country Club, for example. If you come to the reading, perhaps you’ll recognize out a few more. And hopefully your presence and support will help convince one of the talented producers, actors or directors in attendance to actually consider making “The Wedding Photographer” happen.